INTERTEXTUALITY: PASSION OF THE CHRIST AND NARNIA: THE LION, THE

It is concluded that the seven novels in The Chronicles of Narnia are parallel to the seven deadly sins. Apparently, The Lion, the Witch, and the Wardrobe of C.S. Lewis shows intertextuality with the important events occurred during old and new testaments of the Bible. In this fantasy novel, he focused on gluttony and weaved together the religious and entertainment for a children book. Lewis used Edmund, a character that betrays his savior, Aslan, to suffer. His life is forfeited to the White Wi

PDF) The Inklings: Connecting the Unconnected: Genre, intertextuality and intersemiosis

The Lion, The Witch, and the Wardrobe: The Complete Guide to Christian Symbolism and Bible References in C. S. Lewis' The Chronicles of Narnia

INTERTEXTUALITY: PASSION OF THE CHRIST AND NARNIA: THE LION, THE WITCH, AND THE WARDROBE

Should a Christian read the Chronicles of Narnia series or see the movies?

Healing in the Atonement by Brian Mulheran – Renewal Journal

Symbolism and the Identity of Aslan in the Chronicles of Narnia - HobbyLark

writing – A Pilgrim in Narnia

The Chronicles of Narnia/Christian parallels, Religion Wiki

He is Not a Tame Lion: Aslan, Jesus, and the Limits of Postmodern Inclusivism – sola evangelii

The Fictional Universe of Narnia

The Lion, The Witch, and the Wardrobe: The Complete Guide to Christian Symbolism and Bible References in C. S. Lewis' The Chronicles of Narnia

The Fictional Universe of Narnia

PDF) Rowan Williams, The Lion's World: A Journey into the Heart of Narnia; New York: Oxford University Press, 2013; 152 pp.