Saint-Saëns: Pioneer and paradox, rethinking the composer a

Saint-Saëns was a complex, paradoxical composer who considered himself an eclectic, developed a nationalistic streak and tried not to display private emotion in his music. Tim Ashley makes the case that his originality is too easily overlooked

Introducing the December 2021 issue of Gramophone

Introducing the May 2022 issue of Gramophone, featuring Alisa Weilerstein

Saint-Saens – Ms. Turner's Music Class

Saint-Saëns: Pioneer and paradox, rethinking the composer a century on

Volume 23 Issue 2 - October 2017

Musicology and the Middlebrow. - Document - Gale Academic OneFile

Camille Saint-Saëns, Claude Debussy, Jacques Ibert, Charles Munch, Boston Symphony Orchestra, Berj Zamkochian - Saint-Saëns: Symphony No. 3- Organ /

Saint-Saëns: Symphony No. 3- Organ / Debussy: La Mer / Ibert: Escales Ports of Call

Introducing the December 2021 issue of Gramophone

Introducing the May 2022 issue of Gramophone, featuring Alisa Weilerstein

Cathedral Music: Spring 2003 by Cathedral Music Trust - Issuu

Evening Masterworks: Camille Saint-Saens' Violin Concerto No. 3 in b Op. 61 for December 11, 2023

PDF) 'The heart that feels music will feel people': rethinking the concept of the transformative power of music in the writings and practices of Shinichi Suzuki

18th Chopin and His Europe Festival (Chopin i jego Europa) 14-31 August 2022, Warsaw, Poland